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However, this experience was enough to obtain Mark hooked on guitars for life. Later as a teen he came upon a guitar that had a warped neck, and therefore did not sound right when played with a pick. The other part to his ‘brown sound’ is of course his amplifier. In the beginning he uses several low-cost amps until he receives a late ’60s Marshall. This Plexi-Marshall is usually played with the ‘english setting’ – all controls on 10! He later uses a Variac Transformer to alter the voltage in the amp and to help make the sound ‘spongier’. Effects wise Ed will keep it simple – a Univox EC-80 Tape-Echo or a past Tube Echoplex Gerrit Cole Womens Jersey , an MXR Phase ninety and MXR Flanger are all he needs. Occasionally you can find a MXR Distortion And on his pedal board. Later on he will turn to Roland SDE-3000 Delay, Lexicon PCM 70 Reverb together with Eventide H-3000 harmonizer to make a full and wide live-tone. Also in his live-rig really are a Boss OC-2 Octaver and SD-1 Super Overdrive.
Once Eddie gets used to all the trickery that’s for sale in the studio he makes full usage of them, double tracking his guitars, using a Firefox Mini-Strat or maybe a Danelectro 6-string bass.
In earlier ’90s Eddie starts playing around with the Hi-End amps created by Mike Soldano.
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